Friday, 31 August 2018
Palo Santo. Olly Alexander And Years And Years.
Olly Alexander shines in this film, he resembles Prospero's sprite Ariel, a self made magical being, possessed of otherworldly abilities and a fey gentility that makes him as loveable as he is magical. He plucks metaphysical ideas from a bubbling cauldron of humane sexuality and makes you want to dance to the anthems he and his band conjure out of the ether. I do not think I have enjoyed a musical interpretation of a series of abstract but believable concepts as Palo Santo since I saw David Bowie's Blackstar. In fact if I could suggest David Bowie as The Sandman or Morpheus of our musical dreaming then I would surely nominate Olly Alexander as its Ariel.
He is the stuff that dreams are made off.