Sunday, 26 October 2025
Doctor Sleep.
Anytime of year is a good time of year for a Stephen King but this close to Halloween is a very heaven. In this book he revisits Wee Danny Torrence,who only narrowly survived a visit to The Overlook with his family.it all took place in The Shining, when much was revealed in what has proved to be a Tiger Tank of a novel over the decades since its publication. Danny continues to Shine nad in this book we learn of a wandering tribe, The True Knot, who feast on the energies generated by Shiners. Led by Rose The Hat, a depraved matriarch who feeds her followers with the agonies of the innocent. As if the burden of such a gift were not enough to bear.
Danny's life has not been easy and it has been touch by many of the same treaumas that shaped the life of his father. the poor boys DNA was in all likelihood hardwired that way and he finds himself an alchoholic trying to mend his ways while also coming to terms with an ability that allows him to ease the passage of those leaving this world. An ability that earns him the nick name Doctor Sleep.
in the years since I first read The Shining and the couple of times I have watched Stanley Kubrick's adaption of it I find the two variants of King's story have merged in my memory. In the book Doctor Sleep I found myself waiting for a return journey to the Overlook. Forgetting that in the book it is destroyed by the boiler exploding (As the janitor who was supposed to monitor it in order to prevent this happening had gone on a murderous rampage.). It remains standing in the movie version, for good or ill. There is a return journey, off sorts, when we once again mount The Roof O The World ( O The World, not Off The World.I did not mistype.) I am going to seek out the movie version of Doctor Sleep.I have to see how they handle Rose The Hat. Although you can have a preview of How I handled her. So to speak.
Out of The Darkness.
Came across these back issues of the comic The Darkness, all off which I wrote when I worked on for a year for the company Top Cow, way back in the day. Its a strange thing to come across a pile of your own work in a buy in. Trade ins are such randomn events, one never knows what one is going to be offered. Certainly not a chunk of one's past.
Skunk And Badger.
One of the best, funniest, moving and most beautiful looking books I have read in some time.Badger gets a roomate, after three years of comfortable seclusion in Aunt Lulu's Brownstone; enter Skunk. His settled existence is thrown into a whirlwind of dissaray and rapid change and poor Badger has a hard time keeping up. All at once there are chickens. Lots and lots of chickens. Which attracts the attention of natures primary chicken predator.
This book has so much charm I want to move into it. It might look like a wee book but its got Tardis-like interior dimensions that only reveal themselves in reading. It was Jon Klasson's extraordinary art that initially drew me. I found his art irresistable and his use of colour an auntumnal magnet. Combine Jon Klasson's world building art with some sublime, and yet hysterical storytelling by Amy Timberlake, and you have a book that proves itself a keeper.Rife with strong characterisation and compelling interconnectiveness, it felt funny and enriching. Skunk emerges as a complex and complicated character who feels very real indeed. And Jon Klasson's beautifully rendering of the world in which Skunk and Badgerfind themselves feels very rea.
with my heart and soul wishing it were so.
Doctor Who; Frankenstein.
Loving this series of Doctor Who books, the Monster-Mashups. Worth buying for the covers alone. Two of the High church Horrors here, all right. Dracula! and then Frankenstein. the gothic trappings of both characters lend themselves so well to the life, and lives, of The Doctor. It has visited both sources before yet not quite as directly as it does in this instance.
Good choice of Tardis crew for this particular cross pollination of horrors. The gruesome qualities, lacking in the dark romance of vampirism, are a meatier choice for this literary pairing. From The Brain Of Morbius to The Haunting Of The Villa Diodata the television show has mined the mines Frankenstein with its vein of riches. And does so once more, with this book written by Jack Heath (Did he use to be an infamous Highwayman?) Frankenstein and The Patchwork Man to give it its full title. It wears its science fiction tropes on its sleeve, comfortably so and also does great service to the short, but influential, era its set in. It does not skirt the unpleasant notion of a body comprised of body parts of others and feels more timely than ever with an amazing looking adaption of Mary Shelley's classic about to be releashed by visionary storyteller Guillermo Del Toro.
Another great choice for this time of year.
A Christmas Carol.
Heading towards the time of year I like to dust off a copy of this Dicken's classic. In this case a lovely edition with art by the sublime Quentin Blake.Its never gets old. I do,though. Sigh.
Help The Witch.
"As night draws through country lanes, and darkness sweeps nacross hills and hedgerows,shadows appear where figures are not", so says the blurb on the back and boy does it sell this collection. How can one resist so signposted an anthology? certainly not me. And it did not mislead as this is a sweetly unsettling clever collection of wittily spooky vignnettes, country tales from the October territories, in landscapes that would have been familiar to writers such as EF Benson and MR James. Although these stories possess (in every sense of the word) a modernity that would have sounded anachronistic coming from either of those fine writers. There are genuinely unsettling momments throughout this collection, with hooks that snagthe imagination, tugging in ethereal rustic directions, down into the earthy soil of a countryside that conceals much that waits patiently for the wary and unwary alike. None of these stories outstay their welcome although some might struggle with its otherworldly humours.
Sunsets over the darling buds of May as a witches moon rises.
Are You My Mummy?
A feast of Egyptian inspired frights this week on the run up to Halloween. Watched The Mummy just last week. Still one of my favourite movies. Poor old Imhotep. No man ever suffered so much for his love. And sometimes I feel I have turned into the Edward Sloan Van Helsing type character. Although he was fearless while I am fear Filled.
The Time Machine.
I now realise I only thought I had already read this book.
It so much more of a cerebal read that I remember. Growing up reading comic book adaptions, movie versions, have distorted my impression of the original text. In so many ways this realisation has re-impressed me in a way that I did not expect. In so many ways that is what resonated with me, that HG Wells crafted an impressionistic tale. A painters version of a story, blurry when a memory would have been clearer. But it is its fuzziness on details that allows us to travel in the time travelers company. That is what we think of him as, The Time Traveller, his un-named stature also renders him featureless, which helps every reader to see him differently.
Its a sad vision of a future that over the decades seems increasingly plausible.
i just cant decide if we are becoming more like The Eloi than The Morlocks.
Maybe a mix of both. And that is where the true horror hides in place sight.
P.S. Just look at this cover. I think The Time Traveler's Chariot is one of the great science fiction movie props. It actually looks like it might work.
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Jumpin' Jack Flash.
Every now and then I come across something to read when takesc a brick to the glass floor of certainty I tap-dance across as I live my life and this is one such read that affected me so. Down through the floor of linear reality I tumbled as I read this amazing book.
I had heard David Litvinoff's name mentioned a few times over the years but I never really understood the associations, Who was he? What was he? What did he do to crop up again and again throughout and across the cultural references? Well, heres the answers to those questions and even a few I had not the wit to ask. Its crammed with details, historical and pop cultural as it is so difficult to navigate between the fixed moments in our shared cultural zeitgeist. David Litvinovff proved himself to be something of a living overton window as whatever gap or niche he found himself there he was. Almost impossible to pin down and no easy thing to explain away.
I remembered him mentioned in The Cardinal and The Corpse, the Channel four documentary about The Bookish underbelly of London. A search for a book he wrote. a book which never existed. Chased down by people who had an ethereal quality of their own. It references his connection to the film Performance and a seque into those territories is not for the squeamish or the easily offended. There are traces of dark magicks, of gangsters and the love that polari does not name. Its a deep dive into some very dark waters filled with treacherous currents and unknowable predators.
He sounded a terrifying figure to me. A very smart man with a savage wit that could take anyone apart. He was one of the few people who stood up to The Two, or The Krays as the rest of the world knew them. Not afraid to speak his mind and laugh at them, at their expense. Which they tolerated. Up to the point where they didn't and they instigated an attack on him when he was gifted a "Glasgow Smile" which may be more familiar to those who recognise The Joker's "You want to know how I got these scars?" before unleashing bedlam. He carried the facial scars for the rest of his life. One can only imagine what this does to a man. Although this book goes a long way to explaining just how that changes a being. There is much to gasp at in this book but also a lot to make one smile and tons to make one think. The little grey cells get a real bout of exercise as the mystery of this man's life are revealed. Its like stepping into a photograph, catching all the details just out of view. Its so obvious this was a man who wanted to leave no trail to follow yet by sheer force of his passing he could not help but leave a meandering trace of ghostly steps. His complexity caused a curious ache, "if only he..", but where does such thinking lead one? Inevitably to a gravestone in a jewish cemetery. a man put there by his own hand. Heart breaking.
And yet "if only he..."
The writer Kieron Pym does an amazing job of following in the footsteps of a man who seemed determined to leave no such trace. If a self-invented man chooses to vanish who can say for sure if he was there in the first place. There was a touch of Macavity The Mystery Cat about David Litvinoff "For when they reach the scene of crime-Macavity was not there." He was elusive, most willingly so, the ghosts of past pogroms birthed in him a restless spirit who exercised what the next generation of Anarchists would describe as "Punk Mobility", an ability to pack up and go leaving no trace as a situation changes. And given the nature of his friends; The Krays, Mad Frankie Frazer, Francis Bacon and Lucien Freud, who can blame him?
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